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theroachfacekillaaa:

Haaaaa
theroachfacekillaaa:

Haaaaa
theroachfacekillaaa:

Haaaaa
theroachfacekillaaa:

Haaaaa
theroachfacekillaaa:

Haaaaa
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tastefullyoffensive:

[x]
tastefullyoffensive:

[x]
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Production Design | Akira (1988)
































As I originally developed [Akira], I used each issue to build more depth and size into this mammoth city [Neo-Tokyo]. I kept trying to achieve this by creating a variety of situations to stage the graphic storytelling. But with film you get to combine all this into one and I think that it is much more convincing on film than in a serialized comic strip. - director Katsuhiro Otomo; P.D. by Hiroshi Ohno, Yuji Ikehata and Kazuo Ebisawa







































Production Design | Akira (1988)
































As I originally developed [Akira], I used each issue to build more depth and size into this mammoth city [Neo-Tokyo]. I kept trying to achieve this by creating a variety of situations to stage the graphic storytelling. But with film you get to combine all this into one and I think that it is much more convincing on film than in a serialized comic strip. - director Katsuhiro Otomo; P.D. by Hiroshi Ohno, Yuji Ikehata and Kazuo Ebisawa







































Production Design | Akira (1988)
































As I originally developed [Akira], I used each issue to build more depth and size into this mammoth city [Neo-Tokyo]. I kept trying to achieve this by creating a variety of situations to stage the graphic storytelling. But with film you get to combine all this into one and I think that it is much more convincing on film than in a serialized comic strip. - director Katsuhiro Otomo; P.D. by Hiroshi Ohno, Yuji Ikehata and Kazuo Ebisawa







































Production Design | Akira (1988)
































As I originally developed [Akira], I used each issue to build more depth and size into this mammoth city [Neo-Tokyo]. I kept trying to achieve this by creating a variety of situations to stage the graphic storytelling. But with film you get to combine all this into one and I think that it is much more convincing on film than in a serialized comic strip. - director Katsuhiro Otomo; P.D. by Hiroshi Ohno, Yuji Ikehata and Kazuo Ebisawa







































Production Design | Akira (1988)
































As I originally developed [Akira], I used each issue to build more depth and size into this mammoth city [Neo-Tokyo]. I kept trying to achieve this by creating a variety of situations to stage the graphic storytelling. But with film you get to combine all this into one and I think that it is much more convincing on film than in a serialized comic strip. - director Katsuhiro Otomo; P.D. by Hiroshi Ohno, Yuji Ikehata and Kazuo Ebisawa







































Production Design | Akira (1988)
































As I originally developed [Akira], I used each issue to build more depth and size into this mammoth city [Neo-Tokyo]. I kept trying to achieve this by creating a variety of situations to stage the graphic storytelling. But with film you get to combine all this into one and I think that it is much more convincing on film than in a serialized comic strip. - director Katsuhiro Otomo; P.D. by Hiroshi Ohno, Yuji Ikehata and Kazuo Ebisawa
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"When “i” is replaced with “we” even illness becomes wellness."

Malcolm X (via amorestavivo)

This changed me.

(via losingfatfindingfit)

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little-black-diamond:

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